Founded in 2012 by Souhail Marchiche and Mehdi Meghari, the Dyptik Company has developed a choreographic language that is both grounded and instinctive, where movement becomes a means of raw, sincere and deeply human expression.

Blending their hip-hop roots with influences from traditional cultures, they seek to question the tensions in our societies and reveal the power of the body as a universal language. Based in Saint-Étienne, the company now performs its creations all over the world — with more than 600 performances on five continents — with iconic pieces such as D-ConstructionDans l’Engrenage, Mirage (Un jour de fête) and Le Grand Bal.

The Dyptik Company also runs the Dyptik Studios, a renowned centre for artistic creation and support. This space, which serves as both a laboratory and a refuge, is designed to be a place for meeting, experimentation and transmission. 

Today, the company continues its adventure between France and Morocco, driven by an artistic vision that connects bodies, cultures and audiences in a shared experience.

Thursday, September 10, 2026 at 7:30 PM at the BLOCK · CCNR.

Free upon reservation: adriana.falcone@ccnr.fr

A dancer of Dyptik Company will offer a Next Move workshop on Monday, September 7, 2026 at 7 PM.

Through our creations, we explore how the body reflects the tensions within our societies. Engaged bodies, tired bodies, bodies in resistance: it is in weariness that sincere movement is born, movement that does not deceive. For several years now, our choreography has been guided by a quest for letting go and primitive movement. Movement that arises before form, before will, as a necessity of expression. 

Our encounter with the Maalem*, Nabil Sansi, and the world of Gnawa opened up a new artistic perspective for us, a way of deepening our relationship with gesture, rhythms, and the states experienced by the body. It was therefore natural for us to embark on a journey of immersion in this culture alongside him, in order to open up a path rooted in the Gnawa experience and in the understanding of its codes, gestures and states.

*Maalem: In the Maghreb, a man who teaches and passes on craft or artistic skills; an honorary title given to him; a man who runs a workshop.

Two creations, one shared breath

With Amin and Mussum, we are working on choreographies pushed to the point of rupture, to that breath torn from the body, where the body finds a way to keep going. We want a dance that moves through different states, inviting the audience into a powerful sensory experience and transforming the stage into a shared space. To carry this experience, we have brought together a team of French-Moroccan dancers, women and men, curious, sensitive, capable of embodying a gesture rather than simply reproducing it, with personality, singularity, an intimate relationship to movement and a high level of technical skill.

To accompany them on stage, we invited two musicians whose exchange deeply nourishes the piece: Patrick De Oliveira and Nabil Sansi. Patrick, a composer and long-standing collaborator, sculpts an organic sound material where sound becomes texture, breath and vibration. His writing explores silences, grains and tensions, a sensitive territory between the raw and the sacred. In dialogue with him, Nabil Sansi brings the Gnawa pulse: an ancestral, continuous rhythm, like the heartbeat of a world. Each note of the guembri, each strike, each vibration of his voice circulates, travels through the space and anchors the movement.

Their collaboration does not simply accompany the dance. It serves the intention of the piece, opening an intimate space where the sacred enters into dialogue, settles and transforms. Together, they give the piece its rhythm, shape its atmosphere and guide the bodies towards a movement born as much from sound as from breath. Together, they weave a music that draws us into Amin and Mussum, into the heart of the rhythm that lifts and propels the bodies.

Choreographers: Souhail Marchiche and Mehdi Meghari
Composers & musicians: Nabil Sansi and Patrick de Oliveira
Dancers: Léa Bouchéry, Assiya Eddahbi, Ali El Kihal, Tibault Miglietti and Davide Salvadori

Partners & supporters: Théâtre des Bergeries in Noisy-le-Sec, La Comédie de Saint-Etienne – CDN, MC:2 in Grenoble – Scène Nationale, Stora Teatern in Gothenburg, PIPD “Arts dans l’espace public” (Arts in Public Spaces), Lieux Publics – CNAREP in Marseille, Le Cratère – SN in Alès, L’Atelline – SCIN in Juvignac, FAI-AR in Marseille, Les Abattoirs Cnarep in Chalon-sur-Saône, Le Flow in Lille and Lille 3000, Quelques part – Cnarep in Annonay, L’Institut Francais du Maroc, L’Uzine in Casablanca, L’espace Maoka in Bir Jdid, Hiba Lab in Rabat, Formation Dati Drouk in Rabat, Ministry of Culture DRAC, Auvergne Rhône-Alpes Region, Departments of Loire and Seine-Saint-de-Denis, City of Saint-Etienne…

Premiere: date to be announced

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