“We’re too close to the fire to discern what’s burning.”
In an attempt to recover strength but also a space of confidence for indispensable resistance, Katerina Andreou asks herself the question: how can confusion be made into a tool, a strategy for creation?
For her first group piece, the artist, dancer, choreographer and musician is basing herself on what she calls “constant noise”, an autobiographical state situated in a society whose reference points seem to shift to such an extent that instability and doubt are inevitable.
Bless This Mess is born in this bubbling space, full of blind spots, which creates momentum and an irrepressible desire to act/react, with others. In this piece, Katerina Andreou attempts to place choreographic and sound work in a place of necessity, and to leave room for absurdity and play – the only way to create a genuine space of respite and joy.
Katerina Andreou
Born in Athens, Katerina Andreou is based in France. Graduated of the Athens Law School and the Athens National Dance School, she completed the ESSAIS program at the CNDC in Angers and holds a Master's degree in choreographic research (Paris 8). As a performer, she has worked with DD Dorvillier, Anne Lise Le Gac, Lenio Kaklea, Bryan Campbell, Dinis Machado, Emmanuelle Huynh and Ana Rita Teodoro. In her own work, she develops a physical practice specific to each project, seeking states of presence that result from constant negotiation between contrasting and even contradictory tasks, fictions and universes, often challenging notions of authority and censorship.
She creates the sound environment for her pieces herself, which becomes her principal dramaturgical tool. She was awarded the Prix Jardin d'Europe at the ImpulsTanz festival in 2016 for her solo A kind of fierce. She went on to create the solo BSTRD (2018), the duo Zeppelin Bend (2021) with Natali Mandila, the performance Rave to Lament (2021), and most recently the solo Mourn Baby Mourn (2022). She is an associate artist of the Centre Chorégraphique National de Caen en Normandie for 2022-2024, and of the Master EXERCE at the CCN de Montpellier.
More info on Katerina Andreou website.
Premieres: June 6 + 7, 2024 at KLAP Maison pour la danse à Marseille
Concept: Katerina Andreou
Performers: Katerina Andreou, Lily Brieu, Baptiste Cazaux, Melissa Guex,
Sound design: Katerina Andreou avec Cristian Sotomayor
Set design and Lighting: Yannick Fouassier
Outside view: Costas Kekis
Technical direction: Thomas Roulleau Gallais
Production & distribution: Elodie Perrin
Production: BARK
Coproduction: CCN de Caen en Normandie dans le cadre du dispositif « Artiste associé », KLAP Maison pour la danse à Marseille (résidence de finalisation 2024), ADC Genève, La Bâtie – festival de Genève, Athens Epidaurus Festival, T2G théâtre de Genevilliers, Festival d’Automne à Paris, Next Festival, les Subs – lieu vivant d’expériences artistiques, Lyon, Maison de la Danse, Lyon – Pôle européen de Création –, CCN de Grenoble dans le cadre de l‘accueil studio, CCNR, Centre chorégraphique national de Rillieux-la-Pape, ICI—CCN Montpellier Occitanie / direction Christian Rizzo
Residences: Espace Pasolini, Kunstencentrum BUDA Courtrai
With the support of the Direction des Affaires Culturelles Auvergne-Rhône-Alpes, and patronage of the Caisse des Dépôts, Dance Reflections by Van Cleef & Arpels
The creation of Bless This Mess began at the watermill center – a laboratory for performance in April 2023.
Photo ©️ Hélène Robert