The flight of the Baroque body.
With a quintet of dancers soaring through the air in parachute-cloth coats and trains, Bruno Benne gives volume to his Baroque movement, affirming its modernity. The five flying coats, which can be combined to create a single immense piece, give codified movements the evanescence of musical momentum.
To accompany these flights, he composed an original music exclusively for two harpsichords, with transcribed arias by Jean-Sebastien Bach and new pieces by composer Youri Bessières.
Prendre l’air can be performed with live music (2 harpsichords) or on recorded music.
Bruno Benne
A specialist in Baroque dance and music, Bruno Benne is today renewing these arts with modernity by composing his own Baroque art. Surrounded by choreographic artists and musicians within the Beaux-Champs company, he reveals and hybridizes this heritage.
After training in classical dance at the CRR in Toulouse, he went on to study contemporary dance at the CNSMD in Paris. His encounter with Baroque dance came in 2005, when he began long-term collaborations with two specialists in this style: Béatrice Massin and Marie-Geneviève Massé.
Other experiences will sharpen his learning curve, such as interpreting the choreographies of pioneer Francine Lancelot for Atys in 2011, or those of Françoise Denieau and Nathalie Van Parys. As a performer, he has danced at the Opéra Royal de Versailles, the Opéra National de Paris and Opéra National de Lyon, the Bolshoi - Moscow, the Brooklyn Academy of Music, the Festival Cerventino - Mexico, the Barbican Center - London, the Festival Baroque de Montréal...
From his early days as a choreographer, he met and crossed his research with the American minimalism of Lucinda Childs, with whom he collaborated three times between 2013 and 2017. This permeability between baroque codification and conceptual abstraction gave him the material to rethink his relationship with time and space. He created several pieces with the Beaux-Champs company: SQUARE (2016), Caractères (2019), Rapides (2022)... and Ornements (2016) for the Ballet de l'Opéra national du Rhin.
Winner of the Fondation Beaumarchais in 2015, Bruno Benne has been an associate artist of La Barcarolle / Spectacle Vivant Audomarois since 2021.
More info on Cie Beaux-Champs website.
Studio’s opening: Thursday, June 20, 2024, at 7:30 pm
Free on reservation: adriana.falcone@ccnr.fr
→ Bruno Benne will conduct the Sentir La Fibre workshop on Monday, June 17, 2024.
Premiere: November 15 or 16, 2024 at the Scène Conventionnée La Barcarolle à Saint-Omer
Concept & choreography: Bruno Benne
Creative assistant: Estelle Corbière
Music: Johann Sebastian Bach, transcriptions for two harpsichords by Loris Barrucand and Clément Geoffroy:
— Concerto in A minor after Vivaldi BWV 593
— Concerto in D minor BWV 596
— Pedal Exercitium in G minor BWV 598
— Passacaglia & Fugue in C Minor BWV 582
Original creations for two harpsichords by Youri Bessières (2024)
Performance: five dancers from Compagnie Beaux-Champs, two harpsichordists – Loris Barrucand and Clément Geoffroy
Costumes: Erick Plaza Cochet
Lighting: Thierry Charlier or Olivier Nacfer
Photo: Rapides © F. Stemmer