Rosa
Inspired by fantastical images and archaic rituals, Silver Rosa conjures the visceral need for individuals to build bonds. Yuval Pick wants to set us in motion and touch our heart. The place where our endless desires pulsate.
His work has always been informed by the desire to create something common, to build new possibilities from our otherness. For this new piece, he has brought together a group of ten dancers of different ages and origins, each reflecting a world and a singular story, in a shimmering landscape both ancient and futuristic.
With them, Yuval Pick invents new myths based on folk rituals, songs and shared movements. Silver Rosa creates a link between the traditions, gestures and music that bind us. The choreographer, who heads the National Choreography Centre of Rillieux-la-Pape, has composed a work that responds to our contemporary urge to bond with others. His holistic approach, embracing the multiplicity of our existences and experiences, asks: what makes us human?
It was during lockdown that you felt the desire to make this piece. How was this period for you?
Yuval Pick (YP) — We all experienced this standstill in our flesh, in our bodies. I was really struck by the great range of our experiences. I wanted to reflect this density by bringing together dancers from my company in their twenties and thirties with performers aged over forty-five. Dancing beyond this age is a courageous thing to do, in a profession where ageing isn’t visible or valued. You can sense their lifepath in their gestures…
It’s totally different from the younger performers’ beauty and power. With this team, we worked on the idea of the bond. Although the pandemic revealed the interconnections between bodies, it mostly underscored their absence. We are increasingly self-sufficient creatures, and our lives are increasingly fragmented. I felt it was urgent to fight against that, because bonding with the Other is a visceral necessity – it’s what gives our existence fullness and joy. And I wondered: what does it mean to be human today?
You took an interest in Inuit throat singing and the carnival in Sardinia, two age-old traditions involving sound and the body.
YP — I wanted to come back to fundamental, archaic things – to folklore. That’s actually how I began dancing. Inuit throat singing is a game played by two people, face to face, done by women, and it gives a very deep connection with self. The dancers have practised doing it, but what interests me is not for them to reproduce it in the traditional way, but to see the bodystates that it produces. In Sardinia, the Mamoiada carnival made a huge impression on me. I saw a whole village, from children to old men, carrying massive backpacks of bells and jumping to make them ring. I love the idea of making a noise together, of attaining harmony through a common act.
What choreographic material emerged from this process?
YP — In the past few years, I’ve developed a dance method called Practice. One of its fundamentals is rotation, working around 360 degrees. The idea is to unsettle the “urban stem” that we are, to propose another way of holding oneself, of letting our torso, plexus, stomach and heart move – all the life there is inside us. For this new piece, we worked on the line and the circle, two archaic figures that are present in dance rituals. Our art reveals the layers of our being, both conscious and unconscious; and those of society, of humanity, and all their inter-relationships. That, to me, is what 360 degrees is all about.
— Interview by Léa Poiré for the Biennale de la danse de Lyon.
La Terrasse
Belinda Mathieu
August 2023
“They are ten dancers of different ages and backgrounds, inventing a dance in common, a way of connecting with each other, of breaking down boundaries. As if to thumb his nose at classical ballet, which advocates standardization of bodies and paths, but also at contemporary academicism, which produces the same forms of mimicry, Yuval Pick imagines, with Silver Rosa, a collective utopia on stage.”
Danser canal historique
Philippe Verrièle
August 2023
“With this group, the choreographer has chosen a composition that returns to the archaic principles of saltatory space – the circle and the line – to explore the nature of the link between beings that dance constitutes. It’s a kind of plunge into the primordial matrix of choreography, in the dancers’ relationship with each other and with the audience.”
Around the creation
Teaser of Silver Rosa
Choreography: Yuval Pick
Choreographic assistant: Sharon Eskenazi
Performers: Gilles Baron, Julie Charbonnier, Céline Gayon, Simon Hervé, Axel Escot, Madoka Kobayashi, Adrien Martins, Francesca Mattavelli, Jade Sarette, Ernest Sarino Mandap
Music: Max Bruckert
Assisted by Pierre-Jean Heude
Set design: Bénédicte Jolys
Assisted by Amandine Fonfrede
Lights: Sébastien Lefèvre
Costumes: Gabrielle Marty
Assisted by Florence Bertrand and Cécile Destouches
Artistic eye: Michel Raskine
Production: CCNR/Yuval Pick
Coproduction: Château Rouge, scène conventionnée à Annemasse, La Biennale de la danse de Lyon 2023, Le Toboggan à Décines-Charpieu
Residencies: Maison de la Danse, Lyon – Pôle européen de création, Château Rouge, scène conventionnée à Annemasse, Le Toboggan à Décines-Charpieu, in progress…
Thanks to Romain Tissot, Balyam Ballabeni, Maxence Ellul, Amandine Fonfrede, L’Echappée – médiathèque de Rillieux-la-Pape
Lenght: 60 min
Photos: Sébastien Erôme